Jyotirindra moitra biography of mahatma

          His maternal uncle was Kumar Jyotirindra Moitra (popularly called "Botukda"), of the Sithlai family, who distinguished himself as an eminent Rabindrasangeet.

        1. The music of the film was composed by Jyotirindra Moitra with pieces from Khayal and Rabindra Sangeet also being used.
        2. Jyotirindra Moitra (November 18, – October 25, ), popularly known as Botukda, was a multifaceted musical maestro, composer, lyricist and poet.
        3. The music of the film was composed by Jyotirindra Moitra with pieces from Khayal and Rabindra Sangeet also being used.
        4. The political turmoil in the pre-Independence India, which touched both non-violent (Quit-India movement of Mahatma Gandhi) and violent (Naval.
        5. Jyotirindra Moitra (November 18, – October 25, ), popularly known as Botukda, was a multifaceted musical maestro, composer, lyricist and poet....

          Meghe Dhaka Tara (1960 film)

          1960 Indian film by Ritwik Ghatak

          Meghe Dhaka Tara

          A poster for Meghe Dhaka Tara

          Directed byRitwik Ghatak
          Written byRitwik Ghatak (screenplay), Shaktipada Rajguru (the original novel)
          Produced byChitrakalpa
          StarringSupriya Choudhury,
          Anil Chatterjee,
          Niranjan Ray,
          Gita Ghatak,
          Bijon Bhattacharya,
          Gita Dey,
          Dwiju Bhawal,
          Gyanesh Mukherjee,
          Ranen Ray Choudhury
          Music byComposer:
          Jyotirindra Moitra
          Assistant:
          Anil Chandra Sengupta

          Release date

          • 14 April 1960 (1960-04-14)

          Running time

          127 minutes
          CountryIndia
          LanguageBengali

          Meghe Dhaka Tara (Bengali: মেঘে ঢাকা তারাMēghē Ḍhākā Tārā, lit.The Cloud-Capped Star) is a 1960 film written and directed by Ritwik Ghatak, based on a social novel by Shaktipada Rajguru with the same title.

          It stars Supriya Choudhury, Anil Chatterjee, Gita Dey, Bijon Bhattacharya, Niranjan Roy, and Gyanesh Mukherjee.[1] It was part