Melchior broederlam biography examples

His portraits sometimes outperformed those of the Italian painters of the first Renaissance.

Melchior Broederlam was one of the earliest Early Netherlandish painters to whom surviving works can be confidently attributed.!

Melchior Broederlam

Melchior Broederlam is the most important Flemish painter of the generation before Jan van Eyck.

In his early years he entered into the service of Lodewijk van Male, Earl of Flanders. After that he works as court painter and valet de chambre for Philip the Bold, Duke of Burgundy.

For the Carthusian cloister in Champmol near Dijon, in collaboration with the sculptor Jacob de Baerze from Dendermonde, he completes two works: the Crucifixion Altarpiece and the Retable of the Saints and Martyrs (Dijon, Musée des Beaux-Arts).

The Duke is personally involved with this ambitious project.
Melchior Broederlam is the most important Flemish painter of the generation before Jan van Eyck.

One of the earliest Old Masters of the school of Flemish Painting, who spent much of his career as court painter to Philip the Bold, Duke of Burgundy.
Melchior Broederlam was one of the earliest Early Netherlandish painters to whom surviving works can be confidently attributed.
Broederlam's two painted panels are an exquisite example of the International Gothic style which developed in the courts of Europe in the 15th century.
Netherlandish painter, court painter to Philip the Bold, Duke of Burgundy, from Documents show that he was a busy and versatile artist, but his only.

Broederlam, who has his studio in Ypres, receives the commission to paint the sculpture groups on the interior sides, to gild the frames and to paint the exterior panels with tableaux.

Only two of the painted exterior panels of the Crucifixion have survived the sands of time, while those of the Retable of the Saints and Martyrs have been lost.

They serve as school exa